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3rd Annual Blue Goose Music Festival - ThugLifeArmy.com Media Sponsor! PDF Print E-mail
Written by TLA Promotions   
Sunday, 11 March 2012 17:21

3RD ANNUAL BLUE GOOSE MUSIC FESTIVAL WITH MUSIC BY: WHODINI,OMARION, THE SUGARHILL GANG,SCORPIO,LJAI (formerly of Profyle) SLICK RICK, Dee 1, K'JON,GINUWINE, YO-YO THE WEST COAST QUEEN OF HIP-HOP,KOOL MOE DEE, YOUNG MONEY SINGER/SONGWRITER SHANELL A/K/A SnL, FOX TV'S GLEE STAR ...JC JONES,NAVAJO,JACK D, CAM OF 40 KARATS, DEAR CHARMAINE,GO FOR BROKE ENT AJ AND THE TWO TONES BLUES BAND, SOULFISH BLUES BAND, LAYDEE, COLE, FAYPAC UNLEASHED, TCHAI, AND MORE....

*** ARTIST LINE-UP SUBJECT TO CHANGE*******

MAY 18TH,19TH, AND 20TH AT THE LOUISIANA STATE FAIRGROUNDS

VENDOR AND SPONSORSHIP AVAILABLE BY CALLING 318-754-6739
$25 ADMISSION
$50 THREE DAY EVENT PASS
KIDS 6 AND UNDER FREE
6-12 $5



$500 DANCE CONTEST
$500 NO RHYTHM CONTEST
$200 DOMINO TOURNAMENT
$200 SPADE TOURNAMENT

FOOD, GAMES, ARTS AND CRAFTS!!!!!
FOR MORE INFO CONTACT ASKARI HINTON @ 318-754-6739 OR This e-mail address is being protected from spambots. You need JavaScript enabled to view it

THIS IS AN EVENT YOU DON'T WANT TO MISS...
SPONSOR BY: THUGLIFEARMY.COM, THE CADDO PARISH COMMISSION,BINKBANK PRODUCTION, THE BLUE GOOSE FOUNDATION,BLESSED IN TRANSITION, MAHOGANI MEDIA, AND THE STATE FAIR OF LOUISIANA, THE LOUISIANA DEPARTMENT OF THE ARTS

"Supported in part by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council, and the National Endowment for the Arts, a Federal agency."

Last Updated on Sunday, 11 March 2012 22:53
 
Macy Gray Returns with "COVERED" PDF Print E-mail
Written by Staff   
Monday, 26 March 2012 05:51

Macy Gray, newly signed with 429 Records, is ready for the release of her stunning new album "COVERED"-- a collection of all new recordings of handpicked songs she's chosen to reinterpret in her own inimitable fashion. With a buzz kicked off by an announcement in Billboard and Rolling Stone, Macy is already confirmed to appear on prime media outlets including Howard Stern, Conan, Late Show with David Letterman, Tavis Smiley and more. Produced by Hal Willner (Lou Reed, Metallica), Zoux and Macy Gray "COVERED" tackles material largely drawn from indie rock songs from the last decade--interpretations her fans will be familiar with as she's been performing them live over the years. The album contains biting, dark signature tracks such as Arcade Fire's "Wake Up" or My Chemical Romance's "Teenagers" which Gray subversively overhauls into something wholly her own. Also included are short skits featuring J.B. Smoove, Nicole Scherzinger and a guest appearance by Idris Elba. The first single "Sail" was #1 Most Added at AC radio for the 3rd week in a row with 5 more add. "COVERED" will be released worldwide on 429 Records TODAY with a special iTunes edition available which contains exclusive remixes of "Sail" and "Here Comes The Rain Again." In addition, Macy is on the verge of announcing a worldwide tour and has just completed the first video from the project. Helmed by famed director Robert DeVico (Pink, Lenny Kravitz, Missy Elliott), the wildly colorful, party-inspired video for "Smoke Two Joints" premiered on both Perez Hilton.com and Aol in the first week.

Since her dazzling debut introduced this singular talent to the masses, Macy has forged an uncompromising musical path beholden to her own vision and garnering accolades at every juncture. With "COVERED" Macy has turned the cover album concept on its ear choosing edgy contemporary choices and approaching them in an innovative and uncompromising way. Not surprising considering she's spent her career defying expectations and stretching musical boundaries.

"COVERED" Track Listing:

  1. Here Comes The Rain Again (Eurythmics)
  2. Creep (Radiohead)
  3. You Want Them Nervous (skit featuring J.B. Smoove)
  4. Smoke 2 Joints (The Toyes)
  5. La La La (Teaching The Kids) (featuring Layann Al Saud, Avery Albert, Happy Hinds & Siena Stelber)
  6. Teenagers (My Chemical Romance)
  7. The Power of Love (featuring Hugh Salk)
  8. Nothing Else Matters (Metallica)
  9. Sail (AWOL Nation)
  10. I Try Is Cool And All But…(skit featuring Nicole Scherzinger)
  11. Maps (Yeah Yeah Yeahs)
  12. Love Lockdown/Buck (Kanye West/Nina Simone)
  13. Mel Rap (featuring Mel Hinds)
  14. Bubbly (featuring Idris Elba) (Colbie Caillat)
  15. Wake Up (Arcade Fire)
  16. Really? (skit featuring MC Lyte)

For more information visit: www.429records.com

Last Updated on Monday, 26 March 2012 06:00
 
A Letter From AARC's Executive Director PDF Print E-mail
Written by Robert   
Wednesday, 08 August 2012 09:51

The following is a letter from AARC's Executive Director:

Dear Members and Friends:

Hello! My name is Linda Bocchi, Executive Director of the Alliance of Artists and Recording Companies (AARC), your worldwide leader in hometaping, rental and lending music royalties management. In the past few years, our membership, and activities performed on your behalf, have expanded dramatically. In these hectic times, it is more important than ever to keep you informed of what AARC is doing for our Members, and so, I will be updating you periodically regarding our efforts in protecting and defending your worldwide rights to hometaping, rental and lending royalties.

As you know, AARC is the only U.S. music royalty collective representing featured performers and sound recording copyright owners – both Majors and Indies – worldwide in the area of hometaping. In the U.S., hometaping is authorized under the Audio Home Recording Act of 1992 (AHRA). As part of our mandate, AARC collects and distributes U.S. and foreign hometaping royalties, generated in the U.S. by the sales of blank media (CDs and DATs) and recording devices (personal audio recording devices, media centers, satellite radio recording devices, and car audio systems with recording capabilities).

AARC also administers foreign royalties collected for the rental of music by commercial entities and the lending of music by noncommercial entities. For nearly two decades, AARC has successfully protected the worldwide hometaping, rental and lending rights of our 142,000-plus featured recording artists and label Members.

Domestic Efforts

I am happy to announce that AARC's enforcement efforts in the U.S. have succeeded in increasing the list of manufacturers/importers that pay hometaping monies. In addition to distributors of CD and DAT devices and blank media that have traditionally paid royalties, AARC's enforcement efforts are responsible for adding distributors of home theatre media centers, satellite radio recording devices and car audio systems to the ever-growing list of royalties payors. AARC's efforts, which include membership in the Consumer Electronics Association and vigilant monitoring of new technologies, continue to ensure all distributors of hometaping equipment and blank media pay the requisite royalties. This continues to be a top priority for AARC.

Efforts Abroad

Our triumphs, however, are not restricted to the U.S. Internationally, AARC has 23 hometaping, rental and lending agreements with our sister societies around the world. These agreements were negotiated in conjunction with the American Federation of Musicians (AFM), The Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and The AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund. We have made great strides in the past year alone; in fact, AARC succeeded in signing agreements with collectives in both Germany and France, two countries with considerable music markets. We also signed agreements with Croatia, Denmark, Estonia, Greece and Sweden. Finalizing these many agreements can only mean great things for our Members, particularly in these tough economic times. With many other exciting agreement opportunities on the horizon, the future promises to bring even more great news.

These accomplishments are the result of our tireless efforts around the world on your behalf. To ensure that other nations recognize the rights of the performers and labels of U.S. music to be protected and compensated, we engage in labor-intensive negotiations with our international counterparts around the world. Our efforts include in-depth legal analysis, negotiations (both via visits to and continuous communication with collectives around the world), and membership in the organization of societies that administer performers' royalties around the world, including involvement in its legal and royalty administration committees. Our work, however, doesn't end with the signing of international agreements.

The status of copyright royalties – particularly hometaping royalties – in other countries is often a precarious one. Many governments still refuse to extend royalty rights to U.S. music and its rightsholders. What's more, many countries are legalizing hometaping without compensating rightsholders. And so, our efforts to protect and defend your hometaping rights worldwide are ongoing, and often entail lengthy battles with foreign governments and collectives.

Many countries have hometaping laws, like the AHRA, which create royalty rights for recording artists and record labels. However, each nation's laws and societies' regulations include complicated requirements regarding such things as data exchange and taxes. The royalty collection process can be overwhelming for an individual claimant. AARC's expert staff ensures that each country's legal and procedural requirements for collection of royalties are satisfied for each and every one of our Members.

We work hard – leveraging our expertise and dedication – to protect your rights. This fight, however, is far from over; dozens of nations still refuse to recognize the right of performers and labels to be compensated for the use of U.S. music. As AARC continues to fight and defend your rights worldwide, we are confident in our ability to bring all countries with hometaping, rental and lending laws to the negotiating table.

In short, great things are happening at AARC, and it would not be possible without your support and membership. We hope to work with, and for, you for many years to come. We will continue to fight the good fight for you, our valued Members.

We are here to represent you! If you've been contacted by an organization other than AARC with regard to your worldwide hometaping, rental and lending royalty rights, please contact us to confirm your membership with AARCyour collective.

Thank you,

Linda R. Bocchi, Esq.
Executive Director

Learn more about AARC at www.aarcroyalties.com.

 
Tupac Father of a Generation…. PDF Print E-mail
Written by fame   
Wednesday, 13 June 2012 12:50

 

As we celebrate the 41st birthday of one of Hip Hops biggest Icons, I am humbled at the thought of all the lives he touched during his time here. I began to reflect on how he personally effected my life as a teenager and how I might not have become the man I am today without his teachings. I feel it is important to not only remember the talent of the man but to also reflect on his character and many positive attributes. This week marks the ninth time in my life that I will be honored or recognized for being a father, which always challenges me to think of traits of a good father. Having not grown up in a home with a father figure, Tupac words through song were often the only kind of acknowledgement of the struggles I saw and experienced.

Songs like (Keep Ya Head Up) spoke directly to me, because at times I felt no one cared so why should I. When I heard (Only God Can Judge Me) it helped me see clearly that I am somebody and no one had the power to take that away from me. Tupac knew and understood that there were millions of kids just like me looking for parental guidance and took it upon himself to feel that void. The sacrifices he made with regard to his own safety to deliver the message were definitely traits I would associate with a good father. Speaking from experience there is no risk that is too great or danger I wouldn’t face to protect my children and help them navigate through this toxic world. Tupac was truly a visionary and just as a father figure his hopes of a brighter future were always visible.

As a young boy I was told to always judge a person by their actions, so what I admire the most about Tupac is that his words matched his actions. When I heard (Me against the World) I thought this was more than an Album or a song, it was truly a reflection of the life he was living. In fact it wasn’t until I heard him say those words that I realized why I felt so lonely and abandoned. Like a father Tupac gave me comfort in knowing that someone was out fighting on my behalf. What made his star ever more mesmerizing is the fact he didn’t fit into the status quo. He was a smart black man; articulate and understood the significance of being the rose that grew from concrete against all odds. So as I prepare to enjoy another humbling father’s day, it would be selfish of me not to acknowledge the impact Tupac had on my life how I think and believe. I am forever grateful and humbled and only wish his legacy continues to live on until the end of time.

Happy Birthday Tupac!!!                                                                                                                                                                                                                                                                                                         comments: This e-mail address is being protected from spambots. You need JavaScript enabled to view it

Last Updated on Saturday, 15 September 2012 04:38
 
A New Tupac Movie About His Final Days Is In The Works PDF Print E-mail
Written by CHET MANLEY   
Tuesday, 19 May 2015 22:39

It seems like only a month ago that John Singleton quit one Tupac biopic while promising to work on a different, “more respectful” project. There’s now word of another film, 7 Dayz, from director and Pac confidant Gobi M. Rahimi. Unlike the other projects, this film would focus on the seven days Rahimi spent with Shakur while the rapper was comatose before passing.


Rahimi – who helmed the music videos for “I Ain’t Mad at Cha” and “2 of Amerikaz Most Wanted,” among others – wants to raise $300,000 to prevent his movie, 7 Dayz, “from becoming another watered down Hollywood film,” according to the project’s IndieGogo page. The feature film will also incorporate rare, actual footage of the rapper.


Rahimi, who claims to have penned a letter for Shakur in which he fired Suge Knight, wrote on the website that since he bore witness to the rapper’s final days, he owed it to Tupac and the world to tell the story now, nearly two decades after the rapper’s death.


As Rahimi says in the video: “This isn’t a documentary. It’s not a hologram and it’s not a repurposed album. This is my experience; my story.” This is an interesting take, and I’m all for any excuse to watch unreleased Pac footage. I just hope that letter to Knight doesn’t reignite that “Suge shot me” theory.


You can support the project through Rahimi’s Indiegogo page.


(via Rolling Stone)


And for anything else you may have missed on the web today…

 

Source: http://uproxx.com/smokingsection/2015/05/2pac-movie-7dayz/

Last Updated on Tuesday, 19 May 2015 22:45
 
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